COPS (TV series)

From Wikipedia, the free encyclopedia

This article is about COPS, the reality TV series. For other uses of C.O.P.S. or cops, see Cops.

COPS
Genre	Reality
Picture format	720p HDTV
Audio format	Stereo with SAP Spanish translation
Running time	approx. 22 min. (excluding commercials)
Creator(s)	John Langley
Starring	Harry Newman (announcer)
Country of origin	United States
Original channel	FOX
Original run	March 11, 1989–present
No. of episodes	650+ (to date)
Official website
IMDb profile
TV.com summary

COPS is an American reality television series that follows police officers, constables, and sheriff's deputies during patrols and other police work. It is one of the longest-running television programs in the United States, and is often considered the original reality television program. Created by John Langley and Malcolm Barbour, it premiered on March 11, 1989, and has aired over 600 episodes. It won the American Television Award in 1993, and has earned four Emmy nominations. It celebrated its 650th episode on May 20, 2006.

COPS is broadcast by the Fox Network, and follows the activities of police officers by embedding camera crews with police units. The show's formula calls for no narration or scripted dialog, depending entirely on the commentary of the officers and on the actions of the people with whom they come into contact.

The show has followed officers in 140 different cities in the United States, and also has filmed in Hong Kong, London, and the former Soviet Union. Each episode is approximately 22 minutes in length, and typically consists of three segments, with each segment being one or two self-contained police incidents.

The show is well known for its theme song, "Bad Boys", sung by reggae group Inner Circle.

Contents 1 History and background 2 Production Information 3 DVDs, books and syndication 4 Criticism 5 Parodies 6 Shows influenced by COPS 7 Memorable episodes 8 References 9 External links

[edit] History and background

COPS was the brainchild of John Langley and Malcolm Barbour. In 1983, Langley was filming a show called Cocaine Blues, which focused on the South Florida drug scene. Langley went on a drug raid with drug enforcement officers as part of their research into the film. Both were taken in by the adrenaline rush of the raid and the unpredictable nature of the events that unfolded before them. “Just the adrenaline rush of not knowing what would happen at any time,” Langley says. “It seemed natural to do a TV show in the shoes of police officers.”

Langley and Barbour were unsuccessful at first selling their concept of a new form of show that would put the viewer in the car with real police officers. The unpredictable nature of an unscripted show, and the relative newcomer status of Langley and Barbour, proved to be fundamental roadblocks to the concept being picked up.

In the late 1980s, after producing a series of live syndicated specials called American Vice: The Doping of a Nation with Geraldo Rivera, Langley and Barbour pitched the COPS show concept to Stephen Chao, a then unknown FOX programming executive. Stephen Chao would one day become president of the FOX Television Stations Group and later USA Network. Chao liked the concept and pitched it to Barry Diller, then CEO of the FOX Network. As fate would have it, a Writers Guild of America strike was occurring at the time, and the network was desperate for new material. An unscripted show that did not require writers seemed perfect. After the pitch, Langley recalled that an "accountant-looking guy", who turned out to be Rupert Murdoch, wanted to see four episodes.

The first episode aired in 1989, and featured the Broward County, Florida, Sheriff's Department. The original concept of the show was to follow officers home and tape their home lives along with their work. After a while this concept was deemed too "artificial" and was abandoned. Eventually, the format of three self-contained segments with no narrator, no music and no scripts would become the show's hit formula. The first segment is usually an action segment to hook the viewer. The second segment is typically humorous or more emotional.

This recipe has consistently proven successful, as COPS routinely wins its 8pm and 8:30pm repeat time slot on Saturday nights every year, and paired with the companion show America's Most Wanted following at 9pm, has created a strong and consistent night for Fox with steady ratings, allowing their Saturday night schedule to remain unchanged since November 1996. Its consistent performance has allowed COPS to maintain a relatively stable stream of advertising revenue. Each first-run episode of COPS costs advertisers about $60,000 (US) for a 30-second spot.

COPS is one of only a few reality shows that is currently filmed and aired in high definition.

[edit] Production Information

COPS uses anywhere from five to ten two-person camera crews riding in different cities across the United States for each weekly 30-minute episode. The crews spend up to 400 total recording hours with officers, of which 22 minutes are used for each episode. The crews typically work as many as 36 weeks a year. Prior to taping, COPS field producers meet with the departments and interview individual officers for potential placement with camera crews. Since COPS relies primarily on the personality of the officer and the commentary provided by the officers, selection of the officers is crucial in creating an episode. By contract, each police department reserves the right to view and approve its footage prior to airing.

Editing is critical in creating a story arc for each segment, since COPS uses no narration and each segment is limited in length. Filmed incidents must be shortened to fit into the allotted segment time, while at the same time allowing the viewer the sense of seeing a coherent story and providing enough background of the officer to allow the viewer to relate to him or her.

All videotaped persons are required to sign a photo release permission form, otherwise their faces are blurred, or in the majority of cases, the segment is simply not used.

Each two-person crew consists of a camera operator and a sound mixer. The camera operator typically sits in the front passenger seat of the police car while the sound mixer sits in the back. In the case of a car with two officers, both crew members will sit in the back. Crew members are encouraged to wear ballistic-resistant vests (bullet proof vests) for protection. They typically do not interfere with any incident (see also fourth wall), however, there have been incidents where the crew assisted an officer in restraining an extremely combative subject. In one episode, the sound mixer, a former EMT, assisted a police officer in performing CPR.

One production staff member recalls a 1994 Los Angeles incident where they had rolled up to a vehicle on what appeared to be a routine traffic stop. “We were just getting out, and bullets started whizzing by my head,” says Hank Barr, a 17-year veteran of the show. “John and I were wrestling to pull each other into that little back seat.”

In the early 1990s, a camera crew was riding in one Denver patrol car, when it was broadsided by another patrol car. Both police cars were demolished, however, all officers and the crew only sustained minor injuries. This event was shot by another COPS crew that arrived at the scene and shown in one segment of COPS from the points of view of both camera crews.

In another episode being taped in Lynn, Massachusetts, a suspect with a knife was shot on camera after trying to stab an officer. The footage was used to determine that the officer did not use excessive force. This particular incident appeared on the COPS: Shots Fired DVD, released in 2004.

The show is completely unrelated to C.O.P.S., an animated series that ran from 1988 to 1989.

[edit] DVDs, books and syndication

Recently, several themed DVDs have been released, some of which include profanity and sexually explicit footage cut from the network version. They are entitled COPS: Shots Fired, COPS: Bad Girls, and COPS: Caught in the Act.

In 1999, Hank Barr published The Jump-Out Boys, a book giving a behind the scenes look at the production and taping of COPS.

In 1994, COPS went into syndication. This resulted in a slight dropoff in ratings consistent with other shows that have gone into syndication while still in production. Nonetheless, COPS has grossed over an estimated US$200 million since it has gone into syndication. COPS can be seen in syndication in the United States on the CourtTV, FX, G4 and Fox Reality cable networks. The show has also been licensed internationally through FOX and is seen in 40 other countries, although the format has been copied often.

[edit] Criticism

The show has been criticized for its predominant focus on the criminal activities among the poor. Critics of this aspect of the show say it unfairly presents the poor as responsible for most crime in society while ignoring the white-collar crimes that are typical of the more wealthy. Documentary film maker Michael Moore raises this very issue in an interview with a former associate producer of COPS, who was with the program for one season. Richard Herlan was included in Moore's film Bowling for Columbine. One response to this allegation - also supplied by Herlan in response to Moore - is that television is primarily a visual medium, requiring regular footage on a weekly basis to sustain a show, and police officers "busting in" on some office where identity theft papers are being created or other high-level crime rings are operating do not happen very often, thus it is not likely to be recorded and thus not shown. The low-level crime featured on the show happens every day, providing large quantities of material suitable for taping. COPS creator John Langley readily acknowledges that the program is about street crime, not white-collar crime, and urges that it should be judged accordingly. Some police departments have refused requests to tape in their cities. Chicago Police Department Deputy Director of News Affairs Patrick Camden has stated in response to requests for COPS taping that "Police work is not entertainment. What they do trivializes policing. We've never seriously even considered taping." Other cities include Honolulu and San Francisco. (note: The San Francisco Police Department did allow Discovery Times to document the actions of its police officers on the Discovery Times' show CITY COPS. Also, the Honolulu refusal eventually led COPS to film on Maui.)

[edit] Parodies

COPS is a popular subject for parody, a testament to how deeply the show has become embedded in American pop culture.

A common theme among parodies is incompetence displayed by law enforcement at hand. For example, in a parody from the television series The Simpsons, the police use a helicopter to watch a drive-in movie and have multiple tanks and copters chasing an ice cream truck. Theme song Bad Boys was replaced by Bad Cops, featuring new lyrics. Another such parody involves the activities of Chief Wiggum. Other shows that have parodied COPS include the Comedy Central series Reno 911!, The Tick animated series, the Ronnie Dobbs sketches on Mr. Show with Bob and David, Mad TV and Saturday Night Live. The series was also the centerpiece of an episode of The X-Files, called X-Cops.

Australian sketch comedy show The Ronnie Johns Half Hour's Dan Ilic and Jordan Raskopoulos stared in a parody of Cops; Popes, in which the Popes go after sinners. This sketch was made when the costume department hired some papal outfits for another sketch, and was shot inbetween locations. Cops but with Popes.

Mad TV has done several parodies of COPS. CLOPS used claymation, and used fictional characters to act as the weird people often seen in the program. Notable was Paddington Bear acting as a flasher and the Pillsbury Doughboy going nuts with a rifle in a bakery. Recently, they spoofed again by having CONSTABLES, where London Bobbies (aka London Metropolitan Police) responded to a Domestic Disturbance at Buckingham Palace.

COPS has also been frequently parodied in feature films such as There's Something About Mary, in which the main character is arrested "live" on the show as his friend watches to his dismay, and Shrek 2, which puts a spin on the parody with the medieval themed KNIGHTS. In the movie Super Troopers the first scene is shown with the first person camera view of the camera man running after the cops, with fair to poor visibility as he is running.

In the sci-fi film Minority Report, fugitive protagonist John Anderton appears on an episode, hinting that the show will still be around in the mid 21st Century.

A 1997 short film, Troops, is a parody that stars Imperial Storm Troopers from the Star Wars franchise in place of police officers.

Comedian Bill Hicks has also used the show as subject matter for his act, as well as comedians Paul Rodriguez, Larry the Cable Guy and others.

The Seattle based sketch comedy show "Almost Live!" had a recurring segment called "COPS IN (a major Seattle neighborhood)" where the actors would portray the criminals and victims as stereotypes of each area's culture.

One episode of Comedy Central's hit show "South Park" features Cartman acting as a cop on his tricycle, making stereotypical comments very reminiscent of COPS.

In an episode of Beavis and Butthead, one episode featured a similar program, COPPERS, which included the "Bad Boys" theme song.

An episode of Freakazoid featured a show known as Real Life Police, which included a parody of the "Bad Boys" theme song using comical and ridiculous lyrics.

In an episode of the show "Married...With Children", Al Bundy tags along with his police officer friend to catch a man who burglarized his home on the same night that his friend is having a "Cops" camera crew tag along.

In RoboCop: The Series, the episode entitled "Inside Crime" featured a TV show of the same name, which reversed the concept of COPS. Camera crews followed masked criminals as they perpetrated break-ins, robberies, assaults, etc.

[edit] Shows influenced by COPS

• The late Paul Stojanovich, a former COPS producer, created the syndicated documentary series World's Wildest Police Videos, showing footage of police work from dashboard-mounted in-car cameras and from news footage. The show's narrator, John Bunnell, was a former Multnomah County, Oregon sheriff's deputy (and later Multnomah County Sheriff) who appeared on several early episodes of COPS conducting undercover drug busts.

• The Montgomery, Alabama FOX affiliate, WCOV, also airs two long-running locally-produced shows based on the COPS formula: M.P.D. documents the Montgomery Police Department and County Law covers the Montgomery County Sherriff's Department. In addition to footage of actual law enforcement work, both shows also include community involvement programs and demonstrations of police equipment and tactics. The shows air following COPS and AMW on Saturday nights.

• A Canadian syndicated series of the early 1990s, R.C.M.P., documented the activities of the Royal Canadian Mounted Police. The show To Serve and Protect, which still airs today, follows the same formula as R.C.M.P., acting as Canada's version of COPS.

• LAPD: Life On The Beat, a syndicated series focusing on the Los Angeles Police Department. Unlike COPS, LAPD would run a small text blurb at the end of each segment explaining what became of the featured "suspect" ("He was charged with Disturbing The Peace and released").

• Real Stories Of The Highway Patrol, usually dealing with County Sheriffs and State Police. This show was hosted by California Highway Patrol Commissioner Maury Hannigan. (note: Commissioner Hannigan was the active Commissioner of the CHP during the show's tenure). The show was cancelled under allegations that the camera crew urged officers to intensify a high-speed car chase, resulting in a fatal crash of the suspect.

• In the mid-1990s, a pornographic series was recorded called Cuntz in which several women in police uniforms would arrest a man and then penetrate him with strap-on dildoes. Actors involved included Dick Nasty and Tony Tame.

• Police Beat, a narrated version of COPS hosted by former Los Angeles County Sheriff's detective Rey Verdugo. This show is also produced by John Langley.

• New Zealand also has its own version of COPS, entitled Police 10/7 (10/7 being the code for having arrived at the event), and a further spinoff entitled Motorway Patrol. Both shows consistently rate highly in New Zealand and Australia.

• Mexico has its own version of COPS, called Policías. The show is often thought to have spread the "double-slang" associated with Mexican cops, often saying "dark black car" or "we will put this man under arrest so we can put it under custody".

• The Cops Show premiered in Kirkuk, Iraq after the 2003 invasion of Iraq. This show is roughly based on the United States COPS, but with innovations including a segment where viewers can call the station to speak with police forces on air.

• In Australia a cops-themed television show is currently airing on network 7 entitled The Force: Behind the Line. It is produced by Southern Star Productions. Episodes were filmed in Western Australia with Police officers. Currently Australian television is also screening Missing Persons Unit, a show that follow's Police who investigate missing person's cases.

• The First 48, on the A&E Network in the United States, follows homicide detectives on the premise that the first two days of an investigation are the most critical. While the footage is all real, it is narrated. It has depicted cases in a number of cities, and in one notable instance followed the investigation of a serial killer in Kansas City.

[edit] Memorable episodes

• Bad Girls 1 through 7 - All female perpetrators, plus a few transvestites

• Naked Perps - All perpetrators were nude at the time of arrest. (Aired censored on television.)

• Jersey Cop - The gruff bluster alternating with tenderness of Cpl. Anthony Damiano of the Passaic County, New Jersey Sheriff's Department proved so popular that he became the only police officer to receive an entire 30 minute episode devoted to him.

• Mardi Gras - Annual episodes filmed with the New Orleans, Louisiana police as they attempt to restrain the alcohol-fueled revelry of Mardi Gras. Snoop Dogg appeared on the Girls Gone Wild balcony in 2002 and nearly caused a riot.

• Coco the Clown - An undercover officer with the Tampa police department in full clown costume conducts a prostitution sting.

• Tased and Confused - All perpetrators were apprehended with the use of a TASER (electronic stunning device) at the time of arrest.

• Ho Ho Ho! - An entire episode featuring the arrests of prostitutes and sex clients. Usually appearing around Christmas.

• Sturgis Bike Rally in South Dakota - In 1998, the COPS crew went to the Sturgis Motorcycle Rally. Dennis Rodman made a guest appearance in the episode.

• America's Most Wanted Crossover - In 2000, John Walsh rode along with the COPS crew and the Jacksonville, Florida and Pierce County, Washington Sheriff's Departments. Coincidentally, a fugitive profiled on AMW was arrested, following a viewer's tip, in Jacksonville the night of the episode's original broadcast, and the arrest was filmed by the COPS crew. Amazingly, the fugitive had been working at a restaurant that Walsh had earlier eaten at with members of the Jackson Police and COPS crew!

[edit] References

• Tran, Tini. (2005) "Iraq TV's 'Cops' breaks new ground". The Associated Press August 21.

[edit] External links

• COPS on Court TV
• COPS Complete Episode Guide, Cast List, Similar Shows and more
• COPS website
• Parody of "COPS", called "POPES" by Dan Ilic
• COPS at Internet Movie Database
• TROOPS video