WCPN
From Wikipedia, the free encyclopedia
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| Broadcast area | Cleveland, Ohio |
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| Branding | 90.3 WCPN |
| Slogan | The Sound of Ideas, All Day Brain Food |
| First air date | September 8, 1984 (November 21, 1938 as WBOE) |
| Frequency | 90.3 (MHz) |
| Format | News/Jazz |
| ERP | 47,000 watts |
| Class | B |
| Callsign meaning | Cleveland Public Network |
| Former callsigns | off the air (1978-1984) WBOE (1938-1978) |
| Affiliations | National Public Radio Public Radio International BBC World Service |
| Owner | ideastream |
| Website | www.wcpn.org |
WCPN is a public radio station in Cleveland, Ohio broadcasting on 90.3 MHz FM. The station's schedule comprises NPR news and informational programs during daytime hours, jazz in the evenings and the BBC World Service in the overnight. The station is owned by ideastream which also owns Cleveland's PBS television station WVIZ.
This station has a dubious distinction as being the first non-commercial FM radio station in the country as WBOE, fell silent in the late 1970's, and went back on-line as WCPN in 1984 - one of the last full-time NPR affiliates to sign on in a major market.
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[edit] History
[edit] WBOE
[edit] Origins
WBOE was initially licensed on November 21, 1938 to the Cleveland Board of Education to broadcast on 41.5 MHz with 500 watts using amplitude modulation (AM). Facilities were located in Lafayette School on Abell Avenue. Two months later it moved to the sixth floor of the Board of Education Building on East 6th Street. The studios remained in 600-South until 1973-1974.
By 1940 it was joined by a few other educational stations, such as WNYE in New York, broadcasting in the spectrum of 41-43 MHz using AM, although it was presumed these educational stations would change to FM when such broadcasting became practical.
In September of 1940, WBOE requested authority to relinquish its 41.5 MHz AM operation and change to FM operation on 42.5 MHz. In March 1941 WBOE became an FM station, broadcasting with 1,000 watts on 42.5 MHz, the first educational station to convert to FM. At the time FM broadcasting was in its infancy and only about a dozen FM stations were on the air in the entire country, most of them experimental stations.
In 1945 the FCC decided to shift all FM broadcasting up to the present spectrum of 88-108 MHz, with 88-92 MHz reserved for noncommercial broadcasting. Initially, WBOE changed its frequency to 44.5 FM on May 1, 1947. This change was necessitated by an FCC decision to allocate the 42-45 Megacycle band to non-government fixed and mobile services.
[edit] Emergence
WBOE moved to 90.3 MHz on August 3, 1948, increasing its power to 3,000 watts with an Effective Radiated power of 10,000 watts. The change to 90.3 FM caused quite a controversy due to the costs schools would incur to buy new radios and the time they needed to budget for it. Subsequently, WBOE requested reauthorization for 44.5 FM "for as long as possible" (original letter to FCC 07/13/1948). From Sept. 1, 1948 to the end of the year WBOE was licensed to broadcast on both frequencies.
On January 1, 1949 a Modified license authorized WBOE to broadcast solely on 90.3 FM. On December 9, 1959 WBOE increased power to 5,000 watts, with an E.R.P. of 15,000 watts. In 1973-1974 WBOE had new studio facilities built at 10600 Quincy Avenue on the East side of Cleveland. In 1975-1976 the stations power was increased to 50,000 watts with the transmitter and tower in Parma, Ohio. [1]
Until December 1976, WBOE's programming was limited primarily to instructional programming, mostly intended for Cleveland school classrooms. Generally the station broadcast from 7:55 am or 8:00 am until 4:30 pm on school days. School programming would often end at 3:00pm. Light entertainment, public service or educational programs of general interest would conclude the broadcast day.
Under the direction of Dr. William B. Levenson, the station won national recognition for its use of radio broadcasts synchronized with lantern slides and playscripts, speakers on such topics as health and science, and student-produced programs on current events and student etiquette were aired. Cleveland school district teachers and curriculum administrators often hosted the shows.
Series/Programs in most curriculum areas were featured. Most programs for in-school use ran for no more then 15 minutes. Until the use of reel-to-reel audio tape in the 1950s, programs were recorded onto 16" Electrical Transcription (E.T.) discs. Upon examination of these discs, it seems that many programs were broadcast live, and recorded simultaneously for repeat later.
For example, in the mid and late 1940s the Social Studies department produced "Current Topics" which talked about current events in the news... A duo of children's story-time series were "Once Upon A Time" and "The Story Lady". A practical science series was "Electrical Living". Later on, a mathematics competition series "Get The Answer Right!" debuted. During the 1950s, 1960s and 1970s 15-minute segments from the "All City Music Groups" performances were broadcast. Throughout most of its life, WBOE also aired non-commercial and educational programs from other producers and distributors. In the 1940s these included series produced by other Cleveland radio stations.
[edit] Public Radio Involvement
By the mid 1960s, if not before, the predecessors to National Public Radio - "NERN" (National Educational Radio Network) and "NAEB" (National Association of Educational Broadcasters) - distributed programs produced by member stations for use on WBOE and other stations. An example of one of these programs was "The Old Record Box", a 15-minute series featuring cylinder records from the turn-of-the-century, produced in the mid 1960s by WFBE the station owned by the Flint, Michigan Board of Education. In the 1970's National Public Radio continued to provide this service to educational stations. The WBOE produced series "Drama On Stage and Screen" was picked up and distributed nationally by NPR. This series featured interviews conducted by WBOE's best known broadcaster, Cecilia Evans. She interviewed people involved in stage, screen and television careers including actor Gregg Morris of CBS-TV's "Mission: Impossible" series.
As educational television developed, the effectiveness of educational radio was reduced, and work began in the early 1970s to build WBOE into a National Public Radio (NPR) affiliate. From December 20, 1976 through December 31, 1976 WBOE increased its broadcast day until 6:30 pm for the airing of the popular NPR program "All Things Considered".
On January 1, 1977 WBOE increased to an 18-hour per day, 7 day a week schedule (6:00 am to midnight). Programming for in-school use continued on school days from 8:30 am until 3:00 pm. Adult, NPR, ethnic and other programming consumed the rest of the broadcast day and all day on weekends. Locally produced programming included "Yes, You Can!", a weekly feature designed to encourage adults to continue their education, "Parenting", a family life series and "Elementary School Highlights".
[edit] Death of WBOE
In its final years, WBOE-FM's staff included Station Manager Jay Robert Klein, (whose 5-minute weekly feature "Your and Your Wheels" featured up-to-date information about automobiles and discussed issues pertaining to automobile transportation), Coordinator Charles Siegel (who produced shows like "Cavities Don't Care" and "The Ins and Outs of Gardening"), Karl Johnson, the producer/host of the morning drive show "Thank Goodness, It's (name of day)" which aired Monday-Friday 6am-8am, senior high school programmer Cecilia Evans who was an award winning Cleveland, Ohio broadcaster providing theater reviews to WBOE and WERE-AM, Tom Altenbernd, Jr. High School programmer and Elementary programmer Ervine Jaworski.
The technical staff included First Class engineers Bill Nelson (who died in 1976) and was replaced by Ed Shaper, Al Hrivnak and Dennis Batig (who did the 1950s and 1960s music show "Let The Good Times Roll"). Full-time Board Operators and Production personnel were Ted Mazurowski and Richard Shenker. Part-time personnel included John L. Basalla, Jim Stincic and Bruce Van Valkenburg. John produced "Rock Concepts" and Jim produced "Sessions In Swing" under the name of Jim Matthews.
The Cleveland school system entered a difficult period in the 1970s as it was faced with a massive court-ordered desegregation order, additionally a community group that believed the in-school use programming should cease in favor of full-time "adult" NPR fare took steps to take control of the radio station. Due to a teacher's strike, school programming did not resume as scheduled in September, 1978. The financially strapped Board of Education finally took WBOE off the air in October.
WBOE's final day of broadcasting was October 7, 1978. At the stroke of midnight, the final program was broadcast. Station Manager Jay Robert Klein and Cleveland newspaper journalist Dick Feagler provided a pre-recorded euology. The 90.3 frequency was silent until the fall of 1984, save for the sideband broadcast of the Cleveland Radio Reading Service (CRRS). CRRS temporarily ceased broadcasting in May, 1982.
[edit] WCPN
[edit] Re-Birth
The non-commercial license was still available, and an effort was organized to re-start a public radio station based in Cleveland. WKSU in Kent could be heard throughout most of the Cleveland area and had been Cleveland's NPR station since signing on in 1953, but it lacked programming directed specifically to the Cleveland market.
In 1979, The Cleveland Public Library bid $205,000 for WBOE-FM's license, which ended up beating out a $200,000 bid by Northern Ohio Public Radio ten days before. An attempt by Cleveland Public Radio to bid $234,360.87 was rejected because the group couldn't make a minimum $200,000 cash payment. Plans were made for the station to be moved from 10600 Quincy Avenue to the main library downtown, with a proposed change in call letters to WCPL (Cleveland Public Library.)
The effort by the library eventually failed, and the license wound up in the hands of Cleveland Public Radio. By July 6, 1983, Cleveland Public Radio switches WBOE's call letters over to WCPN. WGAR, by then a country music outlet, donated its entire jazz record collection over to WCPN for it's jazz format. A kick-off party with 1,200 people in attendance, was held for WCPN on August 5, 1984. By that September 8, WCPN officially signed on broadcasting with a live show from vocalist Mel Torme, and went to 24-hour service on January 1, 1985.
In 2001, WCPN merged with WVIZ to form ideastream. The stations moved to new facilities in downtown Cleveland at Playhouse Square in the fall of 2005.
[edit] Programming
WCPN's daytime program has a heavy emphasis on news and informational programming, most of it originating with NPR, such as Morning Edition, All Things Considered and Car Talk. It also carries popular public radio programs from other sources such as A Prairie Home Companion, Whad'Ya Know?, and Marketplace from American Public Media. Much of this programming duplicates programming broadcast on WKSU which can also be heard throughout much of the Cleveland market. It also originates local news reports and an hour-long current events talk show at 9 a.m. each morning called The Sound of Ideas (formerly 90.3 @ 9).
In the evenings after 9 p.m. to 1 a.m., programming shifts to jazz, and then shifts to a simulcast of the BBC World Service from 1 a.m. to 6 a.m. Monday through Friday. (Weekend overnights are filled with jazz music.) Since WKSU concentrates on a classical music format and since WCLV also broadcasts a classical music format, WCPN's programming in this respect is unique to the Cleveland market.
[edit] Ethnic Shows
On weekends, the evening programming consists almost entirely of nationality programming, with one hour blocks dedicated to programming of nationality based music and discussion. These shows were added in as a requirement for WCPN to operate before it signed on, mostly the result after ethnic stations WXEN and WZAK having abandoned these formats a few years earlier.
Airing these shows have not come easy for WCPN. Attempts to move these shows to different times (or reduce the number of hours altogether) in order to broaden the scope of the weekend lineup has resulted in significant protests by these individual communities. The last attempt to change the lineup occurred in 1996, and resulted with threats by the Ohio State Legislature to cut off funding for WCPN, of which the station relented.
[edit] External links
- About WCPN from WCPN Website
- Timeline from WCPN Website
- WCPN Timeline from Cleveland Broadcast Radio Archives
- WBOE Timeline from Cleveland Broadcast Radio Archives
- Query the FCC's FM station database for WCPN
| FM Radio Stations in the Cleveland, Ohio Market (Arbitron #26)
By Frequency: 88.3 | 88.7 | 89.1 | 89.3 | 89.7 | 90.3 | 91.1 | 91.5 | 92.3 | 93.1 | 95.5 | 96.1 | 96.5 | 97.1 | 98.5 | 99.5 | 100.7 | 102.1 | 103.3 | 104.1 | 104.7 | 104.9 | 105.7 | 106.5 | 107.3 | 107.9 By Callsign: WAKS | WBWC | WCLV | WCPN | WCRF | WCSB | WDOK | WENZ | WFHM | WGAR | WJCU | WKFM | WKHR | WKKY | WKSU/WKSV | WMJI | WMMS | WMVX | WNCX | WNWV | WNZN | WQAL | WREO | WRUW | WXRK | WZAK |
