Mario Vargas Llosa
From Wikipedia, the free encyclopedia
Mario Vargas Llosa FKC (birth name: Jorge Mario Pedro Vargas Llosa) (born in Arequipa, March 28, 1936) is a Peruvian-Spanish writer who is one of Latin America's leading novelists and essayists.
Contents |
[edit] Early days
Mario Vargas Llosa was born in Arequipa to a middle class family of Spanish forebears, the only child of Ernesto Vargas Maldonado and Dora Llosa Ureta. His parents separated five months after their marriage.
Vargas Llosa spent his childhood with his mother in Cochabamba, Bolivia, obtaining his early education at the local Colegio La Salle. During the government of José Luis Bustamante y Rivero, his grandfather obtained an important political post in the Peruvian city of Piura, which prompted Vargas Llosa's family to return to Peru near his grandfather and study in the Colegio Salesiano. In 1946, Vargas Llosa moved to Lima and met his father for the first time. His parents reestablished their relationship and lived in the capital during his teenage years. While in Lima he studied at the Colegio La Salle. When Vargas Llosa was 14, his father sent him to the Leoncio Prado Military Academy in Lima.
A year before his graduation, Vargas Llosa was already working as an amateur journalist. He retired from the military academy and finished his studies in Piura, where he worked for the local newspaper La Industria and, at the same time, where the theatrical representation of his first dramatist work, La Huida del Inca, took place.
During the government of Manuel A. Odría, Vargas Llosa entered Lima's National University of San Marcos in 1953 to study literature. At the young age of 19, he married Julia Urquidi, his uncle's sister-in-law, who was 13 years his senior. The relationship did not last long, however, and in 1959 he left to Spain thanks to a Javier Prado scholarship, and did post-graduate studies at the Complutense University of Madrid, from which he received a Ph.D. in 1971.
Vargas Llosa first came to attention as a writer with La Ciudad y los Perros (1962, translated into English as The Time of The Hero, 1963), based on his teenage experiences at Leoncio Prado.
[edit] Rise to success
The work met with wide acclaim, and its author was hailed as one of the main exponents of the Latin American literature boom, alongside Argentina's Julio Cortázar, Mexico's Carlos Fuentes and Colombia's Gabriel García Márquez. The novel shows influence of the existentialist works of Jean-Paul Sartre, and quotes a dialogue from one of his novels at the beginning of each of its two parts. It also showed as a stepping for what would become Vargas Llosa's trademark technique, the use of alternating dialogue to portray realities that are separated by space and time, and the use of verb tense to move his narrative back and forth in time; as well as establishing what would become the main theme of his narrative: the fight of the individual in search of freedom in an oppressive reality.
He followed La Ciudad y Los Perros (The Time of the Hero, 1962) by writing La Casa Verde (The Green House, 1966), a novel that shows the considerable influence that William Faulkner had on the budding writer. The novel deals with a brothel called the Green House, and how its quasi-mythical presence affects the lives of the characters. The main plot follows Bonifacia, a girl who is about to receive the vows of the church, and the transformation that will lead her to become la Selvatica, the best known prostitute of the Green House. The novel confirmed Vargas Llosa in his position as an important voice of Latin American narrative, and went on to win the first edition of the Rómulo Gallegos International Novel Prize in 1967, out-voting works by the veteran Uruguayan writer Juan Carlos Onetti and by Gabriel García Márquez.
Vargas Llosa's third novel completes what many critics consider to be his most valuable narrative cycle. Published in a four-volume edition, Conversación en la Catedral (Conversation in the Cathedral, 1969) was Vargas Llosa's first attempt at what he calls a "total novel," that is, the depiction of all the levels of a society through fictional narrative. The novel is a deconstruction of Peru under the dictatorship of Odría in the 1950s, and deals with the lives of characters from the different social strata of the country. The ambitious narrative is built around two axes, the stories of Santiago Zavala and Ambrosio respectively; one the son of a minister, the other his chauffeur. A random meeting at a dog pound leads to a rivetting conversation between the two at a nearby bar known as the Cathedral (hence the title). In the course of the encounter Zavala tries to find the truth about his father's role in the murder of a notorious figure of the Peruvian underworld (this is revealed to the reader towards the end of the novel), shedding light on the workings of a dictatorship along the way. The novel makes sophisticated use of techniques of alternating narrative, as the conversation in the bar is intercut with scenes from the past.
Vargas Llosa followed this serious novel with the shorter and much more comic Pantaleón y las visitadoras (Captain Pantoja and the Secret Service, 1972), which, through a series of vignettes of dialogues and documents, follows the establishment by the Peruvian armed forces of a corps of prostitutes assigned to visit military outposts in remote jungle areas.
[edit] Later works
In 1977 Vargas Losa published a new novel, La tia Julia y el escribidor (Aunt Julia & the Scriptwriter), based in part on his first marriage. Julia Urquidi, his ex-wife, later wrote a memoir, Lo que Varguitas no dijo, in which she gave her own version of their relationship. Vargas Llosa's novel was later adapted as a Hollywood feature film, Tune in Tomorrow.
La guerra del fin del mundo (The War of the End of the World), published in 1981, is a fictional recreation of the War of Canudos, an incident in 19th-century Brazil in which an armed millenarian cult held off a siege by the national army for a number of months.
Vargas Llosa's most recent novel, Travesuras de la niña mala (2006), relates the decades-long obsession of its narrator, a Peruvian expatriate, with a woman with whom he first fell in love when both were teenagers.
[edit] Literary criticism
Vargas Llosa has written a book-length study of Gabriel García Márquez, a onetime friend with whom he subsequently parted ways. After the book, entitled García Márquez: historia de un deicidio, was published in 1971 in an edition of 20,000 copies, the initial edition quickly sold out, but despite great demand (and at least one pirated edition) Vargas Llosa refused to allow its republication for many years. The study was eventually included in a volume of his collected works in 2006. It has not been translated into English. He has also written book-length studies of Flaubert and of the Catalan writer Joanot Martorell.
[edit] Political involvement
In common with many fellow Latin American intellectuals, Vargas Llosa was initially a supporter of the Cuban revolutionary government of Fidel Castro, but he eventually became disenchanted with the policies of the Castro regime. During the 1980s, Vargas Llosa became increasingly politically active in his native country, and became known for his staunch market liberal views. He ran for the presidency of Peru in 1990, but lost to Alberto Fujimori. During the campaign, his opponents read racy passages of his works over the radio in an apparent attempt to shock voters. Although he beat Fujimori 34% to 29% in the first round, Vargas Llosa lost to Fujimori's 57% of the vote in the subsequent run-off. His account of his run for the presidency was subsequently included in a memoir, published in an English-language translation (by Helen Lane) as A Fish in the Water.
On his most recent visit to Peru before the 2006 presidential elections, Vargas Llosa campaigned in favor of conservative candidate Lourdes Flores, saying she respected democracy and promised "a moderate" program for the country. In contrast, he warned that if nationalist candidate Ollanta Humala were to win it would be a "great misfortune" since he "will push Peru toward the same catastrophic route that Chávez is pushing his country." Identifying Humala with Fujimori, Vargas Llosa asked: "How it is possible that at least a third of Peruvians want a return to dictatorship, authoritarianism, a subjugated press, judicial manipulation, impunity and the systematic abuse of human rights?" As the presidential race during the second round drew to an end and polls showed Humala trailing former president Alan Garcia, Vargas Llosa tepidly endorsed Garcia as "the lesser of two evils."
[edit] Family
His cousin Luis Llosa is a Peruvian film director, who has filmed an adaptation of Vargas Llosa's novel The Feast of the Goat.
Vargas Llosa and Julia Urquidi were divorced in 1964. In 1965 Vargas Llosa married his first cousin Patricia Llosa, with whom he has three children: Alvaro Vargas Llosa, a writer and editor; Gonzalo, a businessman; and Morgana, a photographer.
[edit] External links
- Mi experiencia en la literatura Spanish. New Media, Francisco Marroquín University
- 10 November 2000 speech in Washington DC on the future of liberty in Latin America
- Global Village or Global Pillage? An article by Vargas Llosa
- http://www.taemag.com/issues/articleid.18532/article_detail.asp Confessions of an Old-Fashioned Liberal by Mario Vargas Llosa
[edit] Works
[edit] Fiction
- The Time of the Hero (1963)
- The Green House (1966)
- The Cub and Other Stories (1967)
- Conversation in the Cathedral (1969)
- Captain Pantoja and the Secret Service (1973)
- Aunt Julia and the Scriptwriter (1977)
- The War of the End of the World (1981)
- The Real Life of Alejandro Mayta (1984)
- Who Killed Palomino Molero? (1986)
- The Storyteller (not to be confused with the American television series of the same name) (1987)
- In Praise of the Stepmother (1988)
- Death in the Andes (1993)
- Notebooks of Don Rigoberto (1997)
- The Feast of the Goat (2000)
- The Way to Paradise (2003)
- Mischiefs of the Bad Girl (2006)
[edit] Non-fiction
- Carta de batalla por Tirant lo Blanch
- García Márquez: Story of a Deicide
- The Perpetual Orgy
- A Fish in the Water
- Making Waves
- The Language of Passion
- Letters to a Young Novelist
- A Writer's Reality
- La tentación de lo imposible – The Temptation of the Impossible (2004)
[edit] Critical Bibliography
- The Cambridge companion to the Latin American novel / Kristal, Efraín., 2005
- The lights of home: a century of Latin American writers in Paris / Weiss, Jason., 2003
- Vargas Llosa's fiction & the demons of politics / Köllmann, Sabine., 2002
- A storyteller: Mario Vargas Llosa between civilization and barbarism / Muñoz, Braulio., 2000
- Temptation of the word: the novels of Mario Vargas Llosa / Kristal, Efraín., 1999
- A novelist who feeds on social carrion: Mario Vargas Llosa / Angvik, Birger., 1997
- Vargas Llosa among the Postmodernists / Booker, M. Keith., 1994
- Mario Vargas Llosa: Oedipus and the 'papa' state / Boland, Roy Charles., 1990
- Mario Vargas Llosa: critical essays on characterization / Kerr, R. A., 1990
- Understanding Mario Vargas Llosa / Castro-Klarén, Sara., 1990
