Le notti bianche
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| Le notti bianche | |
|---|---|
| Directed by | Luchino Visconti |
| Produced by | Franco Cristaldi |
| Written by | Luchino Visconti Fyodor Dostoyevsky (novel) |
| Starring | Maria Schell Marcello Mastroianni Jean Marais Marcella Rovena |
| Music by | Nino Rota |
| Release date(s) | September 6, 1957 |
| Running time | 97 min |
| Language | Italian |
| IMDb profile | |
- This article is about an Italian film. For other uses, see White nights (disambiguation).
Le notti bianche (White Nights) is a 1957 film directed by Italian neorealist Luchino Visconti, and is one regarded as of his best works [citation needed].
Le notti bianche takes its title and basic plot from Fyodor Dostoevsky’s 1848 short story. In both the story and the film, a lonely young man meets a lonely young woman. Mario (Marcello Mastroianni) is lonely for social reasons; he is a stranger and a newcomer to town. Natalia (Maria Schell) is lonely because she has always lived in isolation, even in the heart of the city. Her loneliness is intensified because she is in love with a man (Jean Marais) who may not ever return to her, but who continues to occupy her heart to the exclusion of any other possible relationship.
In turning the Dostoevsky story into a film, Visconti eliminated the first-person narration and made Natalia less of an innocent, and at times something of a hysteric and a tease. For his part, Mario rejects obvious offers of romantic attention from other women in the story, holding on to a fruitless obsession.
Mario thanks the young woman for the moment of happiness she has brought him. However, he is left alone at the end of the film, befriending the same stray dog he met at the beginning. He is back at square one, and has put more energy into pursuing the fantasy of an obsession rather than any prospect of real love.
